Every now and then a project comes up that I get really excited about. When I was asked to photograph the newest Philippine World Heritage Site, Mount Hamiguitan, I knew right away that this would be an amazing project to work on
I had the opportunity over the past couple of months to mentor and coach the participants of the Air Asia Travel Photographer 2016 competition. This was a great opportunity for me to connect with some younger photographers who are just starting with their journey into photography.
Since September of last year, I have been fortunate to be part of a program that many hotels are starting to adopt into their CSR efforts. Soap For Hope is an initiative based on the simple idea that used soap collected from hotels can be recycled into fresh soap bars and distributed to underprivileged local communities.
I arrived into Iloilo City on a sunny afternoon with my camera bag and a rough plan as to where I would be going. My research gave me some promising leads, but going on a trip like this is always full of unknowns and surprises.
One week prior to my departure to Tawi-Tawi I received an email from the US Embassy in Manila. “U.S. citizens should continue to defer non-essential travel to the Sulu Archipelago, due to the high threat of kidnapping of international travelers and violence linked to insurgency and terrorism there.”
I thought I would spend some time and put together my highlights from 2014 in photos. I’ve never done this before, but I haven’t done many blog posts this year and therefore thought I should get another one in before the year ends. At times this year was extremely busy and at other times I was able to do more of the behind the scenes work that always seems to pile up. I had some firsts this year, including my first solo exhibit, and I took on more commissioned work than in previous years.
Considered one of the 18 indigenous ethnolinguistic Lumad groups in Mindanao, the native Mansaka continued their way of life during the hundreds of years of migrations and inter-marriages of the Malays, Indonesians and the Chinese. Although the Mansaka people evolved over time, they were never heavily influenced by the Spanish during their colonization.
It’s almost been one month now since The Forgotten Ten exhibit came to a close at Yuchengco’s Water Dragon Gallery in Manila. Now that I have been able to catch up with everything since the closing, I wanted to take some time to thank everyone for making this such a successful event. There are a number of people to thank, from our sponsors, to those who helped with preparations and of course everyone who made it out to the gallery to show their support. I also thought it would be nice to put together a summary of the exhibition, share some insights, get more feedback from people and talk a little about the future of the Katutubong Filipino Project.
A blog post is well past due and it always amazes me how fast time goes by. Since my trip to the Cordilleras last April/May I feel like things have been non-stop making time soar by even faster. The past few months have mostly been filled with planning and getting things in line for the upcoming year with some intermittent travel, assignment work and workshops. The most exciting event I have been planning for is my first solo exhibit this coming January in Manila. The exhibit is entitled “The Forgotten Ten” which refers to the some 10 to 20 percent of the Philippine population considered to be indigenous.
Three weeks in the Cordilleras of Luzon and I feel like I have only scratched the surface of experiencing the rich cultures that make up the Igorot people. This is a common trend I have experienced while working on the Katutubong Filipino Project and one reason I hope to extended the project longer term, perhaps for another three years. More time is needed. This is especially true when trying to tell the story of the Igorot people who live in six different provinces with over 20 tribes all speaking different languages, practicing different rituals, and have different beliefs and cultures.